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RME HDSPe AIO Pro

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30-Channel PCI Express Card with Multi-Format I/O

$ 999.00 999.0 USD $ 999.00

$ 999.00

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RME HDSPe AIO PRO

The RME HDSPe AIO Pro is a professional PCI Express interface card designed for studio and broadcast applications. It is the successor to the popular HDSPe AIO, offering high channel count, analog/digital input and output variety, and advanced technical features. The HDSPe AIO Pro is designed to meet the demanding requirements of professional audio production, providing high-quality conversion, flexible routing, and advanced monitoring capabilities. It is suitable for a wide range of applications, from recording studios to broadcast facilities.

Key Features

  • Channel Count:
    • The HDSPe AIO Pro provides professional users with a high channel count for studio and broadcast applications.
    • All inputs and outputs are simultaneously operational.
  • Analog Inputs/Outputs:
    • Balanced stereo analog input and output with 24-bit/192kHz capability.
    • Analog input range based on the circuit design of the ADI-2 Pro (+24 / +19 / +13 / +4 dBu).
    • Enhanced outputs with additional reference levels for increased versatility.
  • Digital Inputs/Outputs:
    • 1 ADAT digital I/O supporting 192 kHz via S/MUX4 operation.
    • 1 SPDIF digital I/O with 192 kHz capability.
    • 1 AES/EBU digital I/O with 192 kHz capability.
  • Headphone Output:
    • Powerful and transparent headphone output with mute relay.
    • Switchable output levels to prevent unwanted crackling noise when switching on the computer.
  • MIDI I/O:
    • 1 MIDI I/O with 16 channels of hi-speed MIDI via a breakout cable.
  • TotalMix FX:
    • 760 channel Mixer with 42-bit internal resolution.
    • Offers unlimited routing and mixing capabilities.
    • Ideal for both studio and live work.
  • Native PCI Express:
    • Utilizes Native PCI Express, eliminating the need for a PCI to PCI Express bridge.
  • Outputs with Mute Relays:
    • Features mute relays for smooth operation and prevention of unwanted noises.
  • +24 dBu I/O Levels:
    • Supports high I/O levels for professional audio applications.
  • SteadyClock FS:
    • Reference-class digital clocking technology.
    • Ensures excellent performance in all clock modes with low jitter and high jitter immunity.
  • DigiCheck:
    • Free software tool for metering, testing, measuring, and analyzing digital audio streams.
    • Offers comprehensive features for high-resolution audio measurements.
  • Balanced/Unbalanced Operation:
    • The HDSPe AIO Pro ships with analog RCA/phono breakout cables, providing unbalanced operation.
    • An optional analog XLR breakout cable is available for balanced operation.

PRODUCT SPECIFICATIONS

Analog Inputs

  • RCA (Standard D-Sub Breakout cable)
    • Input: 
      • Cinch (RCA), unbalanced
    • Input impedance: 
      • 18 kOhm
    • Input sensitivity switchable:
      • +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS
    • Signal to Noise ratio (SNR) @ +19/24 dBu: 
      • 117 dB RMS unweighted, 120 dBA
    • Signal to Noise ratio (SNR) @ +13 dBu: 
      • 116 dB RMSu nweighted, 118 dBA
    • Signal to Noise ratio (SNR) @ +4 dBu: 
      • 112 dB RMSu nweighted, 114 dBA
    • Frequency response @ 44,1 kHz, -0,1 dB: 
      • 7 Hz – 20.5 kHz
    • Frequency response @ 96 kHz, -0,5 dB: 
      • 3 Hz – 45,5 kHz
    • Frequency response @ 192 kHz, -1 dB: 
      • 2 Hz – 92 kHz
    • THD @ -1 dBFS: 
      • -114 dB, 0,0002 %
    • THD+N @ -1 dBFS: 
      • -110 dB, 0,0003 %
    • Channel separation: 
      • > 110 dB
  • XLR (optional D-Sub Breakout cable) same as RCA, except:
    • Input: 
      • XLR, servo-balanced
    • Input impedance balanced: 
      • 36 kOhm, unbalanced: 18 kOhm
    • Signal to Noise ratio(SNR) @ +4 dBu: 
      • 116 dB RMS unweighted, 118 dB

Analog Outputs 

  • RCA (Standard D-Sub Breakout cable)
    • Output: 
      • Cinch (RCA), unbalanced
    • Output impedance+19/+13 dBu: 
      • 75 Ohm. +4/-2 dBu: 80 Ohm
    • Output impedance switchable:
      • +19, +13 dBu, +4 dBu, -2 dBu @ 0 dBFS
    • Signal to Noise ratio (SNR) @ +19 dBu: 
      • 117 dB RMS unweighted, 119 dBA
    • Signal to Noise ratio (SNR) @ +13 dBu: 
      • 116 dB RMS unweighted, 118 dBA
    • Signal to Noise ratio (SNR) @ +4 dBu: 
      • 114 dB RMS unweighted, 116 dBA
    • Signal to Noise ratio (SNR) @ -2 dBu: 
      • 110 dB RMS unweighted, 112 dBA
    • Frequency response @ 44.1 kHz, -0,1 dB: 
      • 10 Hz – 20,2 kHz
    • Frequency response @ 96 kHz, -0,5 dB: 
      • 4 Hz – 44,6 kHz
    • Frequency response @ 192 kHz, -1 dB: 
      • 3 Hz – 83 kHz
    • THD @ 0 dBFS: 
      • < -107 dB, 0,0005 %
    • THD+N @ 0 dBFS: 
      • -105 dB, 0,0006 %
    • Channel separation: 
      • > 110 dB
  • XLR (optionales D-Sub Breakout cable) same as RCA, except:
    • Output: 
      • XLR
    • Output impedance: 
      • +24/+19 dBu: 150 Ohm
      • +13/+4 dBu: 160 Ohm
    • Output level switchable:
      • +24 dBu, +19 dBu, +13 dBu, +4 dBu @ 0 dBFS
    • Signal to Noise ratio (SNR) @ +24 dBu: 
      • 117 dB RMS unweighted, 120 dBA
  • Phones same as RCA, except:
    • Output: 
      • 6.3 mm TRS jack, unbalanced, stereo
    • Output impedance: 
      • 0.1 Ohm
    • Signal to Noise ratio (SNR) @ +19 dBu (Hi-Power): 
      • 117 dB RMS unweighted, 119 dBA
    • Signal to Noise ratio (SNR) @ +7 dBu (Lo-Power): 
      • 113 dB RMS unweighted, 115 dBA
    • Output level at 0 dBFS, Hi-Power, load 150 Ohm or up: 
      • +19 dBu (6.9 V)
    • Output level at 0 dBFS, Lo-Power, load 16 Ohm or up: 
      • +7 dBu (1.73 V)
    • THD+N @ + 15 dBu, 32 Ohm load, 590 mW: 
      • -97 dB, 0.0016 %
    • Max power @ 0.1% THD 32 Ohm: 
      • 730 mW per channel

Digital Inputs

  • AES/EBU
    • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
    • High-sensitivity input stage (< 0,3 Vss)
    • SPDIF compatible (IEC 60958)
    • Accepts Consumer and Professional format, copy protection will be ignored
    • Lock Range: 
      • 28 kHz – 200 kHz
  • SPDIF
    • 1 x RCA, transformer-balanced, according to IEC 60958
    • High-sensitivity input stage (< 0,3 Vss)
    • AES/EBU compatible (AES3-1992)
    • Accepts Consumer and Professional format, copy protection will be ignored
    • Lock Range: 28 kHz – 200 kHz
  • ADAT Optical
    • 1 x TOSLINK, format according to Alesis specification
    • Standard: 8 channels 24 bit, up to 48 kHz
    • Double Speed (S/MUX): 4 channels 24 bit 96 kHz
    • Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
    • Bitclock PLL ensures perfect synchronisation even in varispeed operation
    • Lock range: 31.5 kHz – 50 kHz

Digital Outputs

  • AES/EBU
    • 1 x XLR, transformer-balanced, galvanically isolated, according to AES3-1992
    • Output level 4,0 Vss
    • Format Professional according to AES3-1992 Amendment 4
    • Single Wire mode, sample rate 28 kHz up to 200 kHz
  • SPDIF
    • 1 x RCA, transformer-balanced, according to IEC 60958
    • Output level Professional 2.3 Vpp, Consumer 1.0 Vpp
    • Format Professional according to AES3-1992 Amendment 4
    • Format Consumer SPDIF according to IEC 60958
    • Single Wire mode, sample rate 28 kHz up to 200 kHz
  • ADAT
    • 1 x TOSLINK, format according to Alesis specification
    • Standard: 8 channels 24 bit, up to 48 kHz
    • Double Speed (S/MUX): 4 channels 24 bit 96 kHz
    • Quad Speed (S/MUX4): 2 channels 24 bit 192 kHz
  • DIGITAL
    • Clocks: Intern, ADAT In, SPDIF In, Sync In, optional Word clock In / LTC in
    • Jitter suppression of external clocks: > 50 dB (2,4 kHz)
    • Effective clock jitter influence on AD and DA conversion: near zero
    • PLL ensures zero dropout, even at more than 100 ns jitter
    • Digital Bitclock PLL for trouble-free varispeed ADAT operation
    • Supported sample rates: 28 kHz up to 200 kHz
  • MIDI
    • 1 x MIDI I/O via 5-pin DIN jacks
    • Galvanically isolated by optocoupled input
    • Hi-speed mode: Jitter and response time typically below 1 ms
    • Separate 128 byte FIFOs for input and output


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